Re-reading Truman Capote’s Breakfast at Tiffany’s

???????????????

Afraid my Kindle might run out of juice, I wanted a small book for backup for a recent flight and, because I wanted something light to carry, grabbed off my bookshelves the novella Breakfast at Tiffany’s. I’d read it at least three times over the years and thought I might be bored. Think again. Capote amazed me. 

Consider his introduction of the character Mag Wildwood, for a while roommate of heroine Holiday Golightly:

‘…She was a triumph over ugliness, so often more beguiling than real beauty, if only because it contains paradox. In this case, as opposed to the scrupulous method of plain good taste and scientific method, the trick had been worked by exaggerating defects: she’d made them ornamental by admitting them boldly. Heels that emphasized her height, so steep her ankles trembled; a flat tight bodice that indicated she could go to a beach in bathing trunks; hair that was pulled straight back, accentuating the sparseness, the starvation of her fashion model face. Even the stutter, certainly genuine but still a bit laid on, had been turned to advantage. It was the master trick, that stutter; for it contrived to make her banalities sound somehow original, and secondly, despite her tallness, her assurance, it served to inspire in male listeners a protective feeling. To illustrate: Berman had to be pounded on the back because she said, “Who can tell me w-w-where is the j-j-john?”; then, completing the cycle, he offered an arm to guide her himself.’

The photo above, which brings to my mind Holiday Golightly sitting in the window of her apartment or of the apartment of her neighbor, the narrator, down one flight on the fire escape, is actually Stanley Kubrick’s 1949 photograph of Betsy Von Furstenberg, reblogged here from http://twistedsifter.com/2011/12/stanley-kubricks-new-york-photos-1940s/  Breakfast at Tiffany’s was set during World War II.

On a pivotal day in the plot, Holly and the narrator, whom she calls “Fred” after her brother, go horseback riding in Central Park. The narrator says that the stable is gone by the time he’s telling the story. The picture below, undated from Library of Congress archives, obviously pre-dates WWII, but I offer it in the spirit of the book. If you’ve never read Breakfast at Tiffany’s–and I’m guessing many people under forty haven’t–by all means do.

horsesCENTRALPARK

This entry was posted in book reviews, writing characters and tagged , , , . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s